Absolute natural. The forms of marble in photography

The marble as material of excellence, the grandeur of its forms and the delicacy of his spread, the charm of intertwining painting and stratifications of the signs, in the Centre of 30 photographic works of Daniel Tartara.

It is not a reportage on the working of marble and Versilia's cave. The look of photographer investigates rather on the details on the power and complexity of marble, impressive forms and delicacy of powders and subjects. Search Visual Daniel Tartara is more a reflection and an investigation into nature as primary art form, the ambiguity of perception and the absoluteness of the vision. Is the Act of the survey and measurement that fascinates, "waiting that implies the ability to make silence and listen to things reveal their essence and their souls".

When a photographer does "tabula rasa" of everything that is not essential and gives to the slowness of the gaze, soul and body, to try to get in touch with "his time and his inner core."

It snaps to burst, but calibra energies, circuisce, Woo, returns several times on the site of his disturbance and only when this results in her "a languor amoroso", when he hears the traces of a "presence of an animistic", "a voice that whispers that the place was or would be," then click the picture.

Through the marble, speaks well of the perfection of nature, of amazement generated by certain natural forms of contemplative attitude necessary to return the soul of the places.